In "The World Outside the Mosque," artist Kalim Rahi Quadri delivers a profound spiritual message through a symbolic visual representation. He draws a parallel between removing one's slippers before entering a mosque and the act of leaving behind worldly attachments. The painting suggests that, just as shoes are left outside, so too should one shed their thoughts of the material world, pride, and status before entering a place of worship.
 
Rahi further emphasizes that even kings, with all their worldly power, should hang their pride and arrogance at the door before stepping into the mosque, as they go before the King of all kings in humble submission. The placement of the world alongside the slipper at the mosque's entrance symbolizes the insignificance of worldly possessions and status—no more valuable than something beneath one's feet. The artist reminds us not to let the world become a crown on our heads but instead to humble ourselves when answering the call to prayer.
 
This powerful piece encapsulates the idea that when the call to prayer (Azan) is heard, one must be ready to leave behind the world and all its distractions, prioritizing submission to the divine.